While Johnny Depp’s decision to not return as Jack Sparrow represents a major problem for Pirates of the Caribbean movies, the franchise could create a prequel series and allow the series to recast Depp. Pirates of the Caribbean 6 is happening but there is no reason to believe that the blockbuster sequel/reboot will feature an appearance from Johnny Depp’s iconic iteration of the franchise’s antihero, Jack Sparrow. Depp is the only actor to play Jack Sparrow in any of the Pirates of the Caribbean movies so far and there has already been significant backlash online against the prospect of the character being recast, with one petition calling for Depp’s return garnering over half a million signatures.
While it looks unlikely that Depp will return, this does not mean that the Pirates of the Caribbean franchise has no option but to recast Jack Sparrow for the next sequel in the series. Instead, the Pirates of the Caribbean movies could follow in the footsteps of theStar Warsseries and release a series of prequel movies. 2017’s Dead Men Tell No Tales worked around the absence of Orlando Bloom and Kiera Knightley from the Pirates of the Caribbean sequel by using their son as one of the movie’s main characters, so a potential Pirates of the Caribbean prequel could double down on this approach by replacing Depp’s Jack Sparrow with a younger version of the character.
Why Pirates of the Caribbean 6 Can’t Kill Off Jack Sparrow
While killing off Jack Sparrow seems like the simplest way for the Pirates of the Caribbean movies to continue their story, this approach fails to account for the impact that Depp’s character had on the tone and structure of the franchise. In the original Pirates of the Caribbean trilogy, Jack was a supporting character who provided comic relief. He was very much mortal and even died (briefly) in 2006’s Dead Man’s Chest before Elizabeth, Will, and the Black Pearl’s crew brought him back. However, in later Pirates of the Caribbean sequels Jack become the lead character of the franchise, and killing him off was no longer an option.
If 2011’s On Stranger Tidesor Dead Men Tell No Tales had attempted to continue their stories without Depp’s Jack Sparrow, viewers would have had no compelling reason to follow their new heroes. Jack became the central focus of the Pirates of the Caribbean series in the sequels that followed the original trilogy, thus precluding the possibility of the franchise killing him off. This became a major issue when Depp stated that he wouldn’t play Jack Sparrow again since the series was left with no hero and no clear way of replacing him.
Why Pirates of the Caribbean 6 Can’t Bring Back Johnny Depp
Pirates of the Caribbean 6 can’t simply bring back Johnny Depp’s Jack Sparrow since the character’s solo adventures without Elizabeth and Will were already garnering terrible reviews before he left the role. Even if Depp could be convinced to sign on for a sixth Pirates of the Caribbean movie, the bad reviews that both On Stranger Tides and Dead Men Tell No Tales received prove that this alone wouldn’t be enough to revive the franchise. Not only that, but the disappointing box-office and release delays of Dead Men Tell No Tales proved that even fans of the series who stuck around for On Stranger Tides struggled with the latest sequel in the franchise.
A Pirates of the Caribbean Prequel Trilogy Could Recast Sparrow
The biggest issue with recasting Jack Sparrow is that Depp’s version of the character is closely associated with the franchise. Not only is Jack the main character of the later Pirates of the Caribbean sequels, but he was also the breakout star of the original trilogy. However, James Earl Jones’s performance as Darth Vader was far more iconic and legendary than Depp’s Jack Sparrow and the Star Wars franchisewas still able to recast him in the prequels because the actor’s age stopped him from playing a younger version of the character. Similarly, the best way for the franchise to avoid the issue of recasting Johnny Depp’s Jack Sparrow is by creating a younger take on the character.
Depp could never have played a teenage take on Jack Sparrow, for example, or an even younger take on the iconic Pirates of the Caribbean character. This would also force the Pirates of the Caribbean movies to take a fresh look at the mythology of the series, which was dense and inventive (if admittedly overstuffed) in the original trilogy but became bland and predictable by the final movies in the series. Later Pirates of the Caribbean sequels failed to bring back fan-favorite characters like Calypso and Davy Jones for more than mere cameo roles and didn’t introduce engaging new villains to replace them, instead relying on the familiar murderous pirate captains (undead or otherwise).
Pirates of the Caribbean Prequels Expand The Franchise
In contrast with the uninspired later sequels, Pirates of the Caribbean 6 could reboot the series and re-introduce new versions of well-loved characters if the next movie was a prequel. The franchise could introduce younger versions of everyone from Captain Barbossa to Jack’s father Captain Teague, and could even delve into the intriguing, underexplored backstory of Davy Jones and Calypso. 2007’s At World’s End briefly explained that Davy Jones betrayed his one true love in exchange for power, a tragic tale that the sequel wasted, and a prequel movie could flesh out with more focus and screen time.
Not only that, but a prequel to the Pirates of the Caribbean movies could also address Jack Sparrow’s missing backstory. Originally, At World’s End also revealed that Jack became a pirate when the real (and really evil) East India Trading Company paid him to transport slaves, and he instead took the corporation’s money before freeing the slaves. Viewers never got to see the heroic, rebellious roots of Jack Sparrow since this scene ended up on the cutting room floor and was always intended to be a brief conversation between Jack and Cutler Beckett rather than a full-blown flashback. However, a Pirates of the Caribbean prequel could stage this story in all its glory and gives Jack’s origins the focus that they deserve while also allowing the series to handle the issue of Johnny Depp’s departure with grace.
Tina Turner escaped an abusive relationship to find true love with her second husband, Erwin Bach.
The singer, who passed away aged 83 on Wednesday following an unspecified illness, was in a relationship with the record executive for 38 years. The pair married in 2013.
Tina had publicly praised Erwin for helping her find happiness after fleeing from her first marriage to husband, Ike Turner, which was plagued with physical and emotional abuse.
Ike first met Tina when she was a vulnerable teenager named Annie Mae Bullock. He renamed her Tina, and went on to form the musical duo, Ike & Tina Turner. According to Tina, he micromanaged her career, withheld her finances and beat her while she was pregnant.
After filing for divorce in 1978, Tina was left in debt and had her children to support. She went on to establish a successful solo career.
The songstress met Erwin in 1985 when he was working as an executive with EMI. The pair had an instant connection the moment they met, when he arrived to collect her from Düsseldorf airport.
She said Erwin had taught her how “to love without giving up who I am”, and that he had never been intimidated by her fame or success. He even donated a kidney to her in April 2017, which saved her life.
Writing in her book, Happiness Becomes You: A Guide to Changing Your Life for Good, Tina said: “Falling in love with my husband, Erwin, was another exercise in leaving my comfort zone, of being open to the unexpected gifts that life has to offer.
“The day I first met Erwin, at an airport in Germany, I should have been too tired from my flight, too preoccupied with thoughts of my concert tour. But I did notice him, and I instantly felt an emotional connection.
“Even then, I could have ignored what I felt — I could have listened to the ghost voices in my head telling me that I didn’t look good that day, or that I shouldn’t be thinking about romance because it never ends well. Instead, I listened to my heart.”
Tina’s spokesman confirmed she died “peacefully” at home and added: “With her, the world loses a music legend and a role model. With her music and her inexhaustible vitality, Tina Turner thrilled millions of fans and inspired many artists of subsequent generations.”
Tina Turner, the pioneering rock’n’roll star who became a pop behemoth in the 1980s, has died aged age of 83 after a long illness, her publicist has told the PA news agency.
Turner affirmed and amplified Black women’s formative stake in rock’n’roll, defining that era of music to the extent that Mick Jagger admitted to taking inspiration from her high-kicking, energetic live performances for his stage persona. After two decades of working with her abusive husband, Ike Turner, she struck out alone and – after a few false starts – became one of the defining pop icons of the 1980s with the album Private Dancer. Her life was chronicled in three memoirs, a biopic, a jukebox musical, and in 2021, the acclaimed documentary film, Tina.
“Turner’s musical character has always been a charged combination of mystery as well as light, melancholy mixed with a ferocious vitality that often flirted with danger,” scholar Daphne A Brooks wrote for the Guardian in 2018.
Turner was born Anna Mae Bullock on 26 November 1939 and raised in Nutbush, Tennessee, where she recalled picking cotton with her family as a child. She sang in the tiny town’s church choir, and as a teenager talked – or rather, sang – her way into Ike’s band in St Louis: he had declined her request to join until he heard her seize the microphone during a Kings of Rhythm performance for a rendition of BB King’s You Know I Love You.
She had suffered ill health in recent years, being diagnosed with intestinal cancer in 2016 and having a kidney transplant in 2017.
‘I was just tired of singing and making everybody happy’ … Tina Turner performs at the O2 Arena, London, in 2009. Photograph: Stefan Wermuth/Reuters
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Veteran stage and screen actor Gerald Castillo, who appeared in major TV series including “Saved By the Bell,” “General Hospital,” “Hill Street Blues,” “M*A*S*H” and “Dallas,” died May 4 at his home in Houston. He was 90.
Known for his work as Major Slater on “Saved by the Bell” and Judge Davis Wagner on “General Hospital,” Castillo developed a following for his roles in the two series.
Born in Chicago on Dec. 23, 1932, Gerald studied acting and stage direction at the Goodman Theater. Following his education, he acted on stages all across the nation, performing opposite Sherman Hemsley, Rita Moreno, Jessica Tandy, James Broderick and Jeanne Crain. After performing with Hemsley, “The Jeffersons” star convinced Castillo to pursue a film and TV career in Los Angeles.
Castillo then appeared in several feature films, including “Delta Force II,” “Kinjite,” “Death Wish IV,” “State of Emergency,” “Through Naked Eyes,” and “Above Suspicion.”
Castillo also guest starred in several TV series, including “CSI: Crime Scene Investigation,” “Hill Street Blues,” “M*A*S*H,” “Dallas,” “Knots Landing,” “The Jeffersons,” “Night Court,” “Simon and Simon” and many more.
The screen and stage performer also worked as a stage director at numerous theaters in Los Angeles and Ventura County, including the Santa Paula Theater.
Castillo’s wife of 36 years, Danya Quinn-Castillo noted, “Many of the actors he worked with remember him as a charismatic and insightful director who would jingle the change in his pocket while he pondered a scene, then leap onto the stage to work out the blocking or whisper in an actor’s ear. He was revered for providing the support and guidance that allowed actors to fully develop their characters on stage.”
In 2012 he retired from acting and moved to Houston.
He was predeceased by his only child, daughter, Lisa Palmere.
Castillo is survived by his wife, grandson Brian Palmere, granddaughter Stephanie Palmere, great-grandson Allen Palmere and his twin brother, Bernie Castillo.