Connect with us

Entertainment

‘That was a horrific night’: how Will Smith has tried to move on after the infamous Oscars slap

Published

on

So shocking was Will Smith’s reaction to presenter Chris Rock’s joke about his wife’s hair loss, it is pretty much the only thing anyone can remember about the 94th Academy awards now. That and Smith’s equally surreal acceptance speech for best actor 40 minutes later, in which he cast himself as a protector and tearfully pleaded that “love will make you do crazy things”. Smith might as well have done a Men in Black memory-wipe on the rest of the ceremony.

It was the slap that launched a thousand tweets, memes and overreaching op-eds on the subject of Black masculinity. Celebrity gestures of support and condemnation immediately flooded in, for both team Rock and team Smith. Comedians exhausted every possible joke on the subject (“What does Chris Rock have on his face? Fresh prints”). Then the world moved on, but The Slap continued to echo around Hollywood.

Smith has spent much of the past year either apologising or “working on himself”. A written apology came the day after the Oscars, via Instagram: “I deeply regret that my behaviour has stained what has otherwise been a gorgeous journey for all of us. I am a work in progress.” Smith made a similar video apology to Rock a few months later. In June, Smith’s wife, Jada, the target of the joke, made an appeal for Smith and Rock to reconcile.

Rock did not respond to these various entreaties. “He’s not concerned with the Smiths at the moment,” a source told ET in June, “he’s touring and he’s preparing for a comedy special.” Since April, Rock has been touring the world with his Ego Deathcomedy show, during which he has occasionally mentioned The Slap. In July, in Atlanta, Rock joked, about “getting smacked by Suge Smith” – an allusion to notoriously intimidating rap mogul Suge Knight. In Arizona, he reminded audiences that Smith had once played Muhammad Ali. “He’s bigger than me. The state of Nevada would not sanction a fight between me and Will Smith.” In Liverpool, on stage with Dave Chappelle, he had a direct message for Smith: “Fuck your hostage video” – referring to Smith’s July YouTube postoffering contrition for his attack.

Smith has also been touring the world, filming his new National Geographic series Pole to Pole, and finishing off his latest movie, Emancipation, in which he plays a runaway slave. He is currently doing promotional rounds for the film, which means repeatedly revisiting his unhappy-slappy moment. “That was a horrific night as you can imagine,” he told Trevor Noah recently, claiming to have no recollection of the actual moment. “There’s many nuances and complexities to it. But at the end of the day, I just – I lost it.” He has referred to his childhood in justification: “It was the little boy that watched his father beat up his mother – all of that just bubbled up in that moment.”

One party that has acted decisively is the Academy itself. After issuing its own apology for its handling of the situation, it announced in April that it had banned Smith from the Oscars and all other Academy events for 10 years. It is unlikely they’ll do a ceremony without a raised stage ever again, either. Meanwhile, Emancipation has been getting good reviews, so if it receives any nominations this season, things could get awkward. The Academy also invited Rock to host the 2023 Oscars, he revealed earlier this year. He declined, saying it would be like returning to the scene of the crime.

[ via ]

Entertainment

Tina Turner survived an abusive relationship with Ike and death of two sons

Published

on

By

Tina Turner escaped an abusive relationship to find true love with her second husband, Erwin Bach.

The singer, who passed away aged 83 on Wednesday following an unspecified illness, was in a relationship with the record executive for 38 years. The pair married in 2013.

Tina had publicly praised Erwin for helping her find happiness after fleeing from her first marriage to husband, Ike Turner, which was plagued with physical and emotional abuse.

Ike first met Tina when she was a vulnerable teenager named Annie Mae Bullock. He renamed her Tina, and went on to form the musical duo, Ike & Tina Turner. According to Tina, he micromanaged her career, withheld her finances and beat her while she was pregnant.

After filing for divorce in 1978, Tina was left in debt and had her children to support. She went on to establish a successful solo career.

The songstress met Erwin in 1985 when he was working as an executive with EMI. The pair had an instant connection the moment they met, when he arrived to collect her from Düsseldorf airport.

She said Erwin had taught her how “to love without giving up who I am”, and that he had never been intimidated by her fame or success. He even donated a kidney to her in April 2017, which saved her life.

Writing in her book, Happiness Becomes You: A Guide to Changing Your Life for Good, Tina said: “Falling in love with my husband, Erwin, was another exercise in leaving my comfort zone, of being open to the unexpected gifts that life has to offer.

“The day I first met Erwin, at an airport in Germany, I should have been too tired from my flight, too preoccupied with thoughts of my concert tour. But I did notice him, and I instantly felt an emotional connection.

“Even then, I could have ignored what I felt — I could have listened to the ghost voices in my head telling me that I didn’t look good that day, or that I shouldn’t be thinking about romance because it never ends well. Instead, I listened to my heart.”

Tina’s spokesman confirmed she died “peacefully” at home and added: “With her, the world loses a music legend and a role model. With her music and her inexhaustible vitality, Tina Turner thrilled millions of fans and inspired many artists of subsequent generations.”

[ via ]

Continue Reading

Entertainment

Tina Turner: legendary rock’n’roll singer dies aged 83

Published

on

By

Tina Turner, the pioneering rock’n’roll star who became a pop behemoth in the 1980s, has died aged age of 83 after a long illness, her publicist has told the PA news agency.
Turner affirmed and amplified Black women’s formative stake in rock’n’roll, defining that era of music to the extent that Mick Jagger admitted to taking inspiration from her high-kicking, energetic live performances for his stage persona. After two decades of working with her abusive husband, Ike Turner, she struck out alone and – after a few false starts – became one of the defining pop icons of the 1980s with the album Private Dancer. Her life was chronicled in three memoirs, a biopic, a jukebox musical, and in 2021, the acclaimed documentary film, Tina.

“Turner’s musical character has always been a charged combination of mystery as well as light, melancholy mixed with a ferocious vitality that often flirted with danger,” scholar Daphne A Brooks wrote for the Guardian in 2018.
Turner was born Anna Mae Bullock on 26 November 1939 and raised in Nutbush, Tennessee, where she recalled picking cotton with her family as a child. She sang in the tiny town’s church choir, and as a teenager talked – or rather, sang – her way into Ike’s band in St Louis: he had declined her request to join until he heard her seize the microphone during a Kings of Rhythm performance for a rendition of BB King’s You Know I Love You.
She had suffered ill health in recent years, being diagnosed with intestinal cancer in 2016 and having a kidney transplant in 2017.

‘I was just tired of singing and making everybody happy’ … Tina Turner performs at the O2 Arena, London, in 2009. Photograph: Stefan Wermuth/Reuters

… as 2023 gathers pace, and you’re joining us from Ghana, we have a small favour to ask. A new year means new opportunities, and we’re hoping this year gives rise to some much-needed stability and progress. Whatever happens, the Guardian will be there, providing clarity and fearless, independent reporting from around the world, 24/7.
Times are tough, and we know not everyone is in a position to pay for news. But as we’re reader-funded, we rely on the ongoing generosity of those who can afford it. This vital support means millions can continue to read reliable reporting on the events shaping our world. Will you invest in the Guardian this year?
Unlike many others, we have no billionaire owner, meaning we can fearlessly chase the truth and report it with integrity. 2023 will be no different; we will work with trademark determination and passion to bring you journalism that’s always free from commercial or political interference. No one edits our editor or diverts our attention from what’s most important.
With your support, we’ll continue to keep Guardian journalism open and free for everyone to read. When access to information is made equal, greater numbers of people can understand global events and their impact on people and communities. Together, we can demand better from the powerful and fight for democracy.

[ via ]

Continue Reading

Entertainment

Gerald Castillo, ‘Saved By the Bell’ and ‘General Hospital’ Actor, Dies at 90

Published

on

By

Veteran stage and screen actor Gerald Castillo, who appeared in major TV series including “Saved By the Bell,” “General Hospital,” “Hill Street Blues,” “M*A*S*H” and “Dallas,” died May 4 at his home in Houston. He was 90.

Known for his work as Major Slater on “Saved by the Bell” and Judge Davis Wagner on “General Hospital,” Castillo developed a following for his roles in the two series.

Born in Chicago on Dec. 23, 1932, Gerald studied acting and stage direction at the Goodman Theater. Following his education, he acted on stages all across the nation, performing opposite Sherman Hemsley, Rita Moreno, Jessica Tandy, James Broderick and Jeanne Crain. After performing with Hemsley, “The Jeffersons” star convinced Castillo to pursue a film and TV career in Los Angeles.

Castillo then appeared in several feature films, including “Delta Force II,” “Kinjite,” “Death Wish IV,” “State of Emergency,” “Through Naked Eyes,” and “Above Suspicion.”

Castillo also guest starred in several TV series, including “CSI: Crime Scene Investigation,” “Hill Street Blues,” “M*A*S*H,” “Dallas,” “Knots Landing,” “The Jeffersons,” “Night Court,” “Simon and Simon” and many more.

The screen and stage performer also worked as a stage director at numerous theaters in Los Angeles and Ventura County, including the Santa Paula Theater.

Castillo’s wife of 36 years, Danya Quinn-Castillo noted, “Many of the actors he worked with remember him as a charismatic and insightful director who would jingle the change in his pocket while he pondered a scene, then leap onto the stage to work out the blocking or whisper in an actor’s ear. He was revered for providing the support and guidance that allowed actors to fully develop their characters on stage.”

In 2012 he retired from acting and moved to Houston.

He was predeceased by his only child, daughter, Lisa Palmere.

Castillo is survived by his wife, grandson Brian Palmere, granddaughter Stephanie Palmere, great-grandson Allen Palmere and his twin brother, Bernie Castillo.

[ via ]

Continue Reading

Trending