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The Biggest Ways Scarlet Witch Has Changed Since Her First Appearance

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Scarlet Witch is one of the most iconic Marvel Comics characters in history, and throughout that history, she has undergone some significant changes.

The Marvel Comics history of Scarlet Witchis one of admirable redemption and heartbreaking tragedy as she has been put through some of the worst situations imaginable yet somehow always comes out of it a better person and a greater hero–and that is because of the arduous journey on which she has embarked throughout her comic book career, one that looks very different now than it did upon her debut.

Wanda Maximoff aka Scarlet Witch made her first appearance in X-Men #4 by Stan Lee and Jack Kirby. While Scarlet Witch was originally a villain, she quickly abandoned her life of crime to join the Avengers where she met the most significant person in her life–Vision. This meeting leads to Wanda and Vision falling deeply in love, and even starting a family. However, it is later revealed that Wanda’s two children, Billy and Tommy, weren’t real, and she was simply using her powers to conjure them whenever they were in her mind. While Scarlet Witch was made to forget about her ‘fake’ children, the memory of them lingered in her mind until it tore her apart–leading to Scarlet Witch’s most tragic storyline to date: House of M.

House of M details how Scarlet Witch uses her reality-bending powers to create a new world, one where practically every Marvel character gets exactly what they want out of life. While this reality eventually comes crashing down and ends with one of the most famous lines ever uttered in a Marvel Comics issue, “No more mutants”, this story is much more than one that simply throws Scarlet Witch back into the ‘villain’ role after decades of being a hero, but really shows how immensely powerful she is on a cosmic scale. In the beginning, Scarlet Witch’s power was described as this: if Wanda pointed at an enemy, they would immediately suffer misfortune in the form of physical harm. It wasn’t until the introduction of Billy and Tommy that it was revealed that the ‘Hex’ bolts Scarlet Witch threw at her enemies was actually due to her powers of reality manipulation, and that this power could take many forms beyond destruction–an idea that was taken to its most extreme during House of M. However, there is one aspect of her character that remained understated throughout these pivotal moments in her Marvel Comics history: Scarlet Witch is a powerful magic user.

Scarlet Witch Originated as an Evil Mutant, but Became a Benevolent Sorceress

Scarlet Witch’s introduction portrayed her as a mutant who had the power to cast chaos upon those she pointed at before her powers were upgraded to reality manipulation–though it was later revealed that her powers actually came from her ability to wield Chaos Magic. While Wanda was born a mutant, the demon Chthon manipulated her natural mutation at birth to unlock her magical potential. This means that everything Scarlet Witch had done was a result of masterful manipulation of Chaos Magic, and her more recent Marvel Comics appearances have shown Scarlet Witch using her magic to make up for what she did during House of M–with the most notable being her expansion of the mutant resurrection database on Krakoa.

The biggest way Scarlet Witch has changed from her first appearance is the revelation that she is a reality-bending wielder of Chaos Magic, not simply a ‘Hex’ casting mutant. However, the greatest aspect of her character has actually remained completely unchanged since her debut: Scarlet Witch is a hero. While time-and-again she has stumbled–from being a part of the Brotherhood of Evil Mutants before joining the Avengers to eliminating most of mutant life during House of M before helping it thrive in Trial of Magneto–Scarlet Witch always finds her way back to the light. While the details of her powers have changed drastically, at her core, Scarlet Witch is a hero–a flawed one to be sure, but one who perfectly encapsulates the inspiring story of redemption.

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Tina Turner survived an abusive relationship with Ike and death of two sons

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Tina Turner escaped an abusive relationship to find true love with her second husband, Erwin Bach.

The singer, who passed away aged 83 on Wednesday following an unspecified illness, was in a relationship with the record executive for 38 years. The pair married in 2013.

Tina had publicly praised Erwin for helping her find happiness after fleeing from her first marriage to husband, Ike Turner, which was plagued with physical and emotional abuse.

Ike first met Tina when she was a vulnerable teenager named Annie Mae Bullock. He renamed her Tina, and went on to form the musical duo, Ike & Tina Turner. According to Tina, he micromanaged her career, withheld her finances and beat her while she was pregnant.

After filing for divorce in 1978, Tina was left in debt and had her children to support. She went on to establish a successful solo career.

The songstress met Erwin in 1985 when he was working as an executive with EMI. The pair had an instant connection the moment they met, when he arrived to collect her from Düsseldorf airport.

She said Erwin had taught her how “to love without giving up who I am”, and that he had never been intimidated by her fame or success. He even donated a kidney to her in April 2017, which saved her life.

Writing in her book, Happiness Becomes You: A Guide to Changing Your Life for Good, Tina said: “Falling in love with my husband, Erwin, was another exercise in leaving my comfort zone, of being open to the unexpected gifts that life has to offer.

“The day I first met Erwin, at an airport in Germany, I should have been too tired from my flight, too preoccupied with thoughts of my concert tour. But I did notice him, and I instantly felt an emotional connection.

“Even then, I could have ignored what I felt — I could have listened to the ghost voices in my head telling me that I didn’t look good that day, or that I shouldn’t be thinking about romance because it never ends well. Instead, I listened to my heart.”

Tina’s spokesman confirmed she died “peacefully” at home and added: “With her, the world loses a music legend and a role model. With her music and her inexhaustible vitality, Tina Turner thrilled millions of fans and inspired many artists of subsequent generations.”

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Tina Turner: legendary rock’n’roll singer dies aged 83

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Tina Turner, the pioneering rock’n’roll star who became a pop behemoth in the 1980s, has died aged age of 83 after a long illness, her publicist has told the PA news agency.
Turner affirmed and amplified Black women’s formative stake in rock’n’roll, defining that era of music to the extent that Mick Jagger admitted to taking inspiration from her high-kicking, energetic live performances for his stage persona. After two decades of working with her abusive husband, Ike Turner, she struck out alone and – after a few false starts – became one of the defining pop icons of the 1980s with the album Private Dancer. Her life was chronicled in three memoirs, a biopic, a jukebox musical, and in 2021, the acclaimed documentary film, Tina.

“Turner’s musical character has always been a charged combination of mystery as well as light, melancholy mixed with a ferocious vitality that often flirted with danger,” scholar Daphne A Brooks wrote for the Guardian in 2018.
Turner was born Anna Mae Bullock on 26 November 1939 and raised in Nutbush, Tennessee, where she recalled picking cotton with her family as a child. She sang in the tiny town’s church choir, and as a teenager talked – or rather, sang – her way into Ike’s band in St Louis: he had declined her request to join until he heard her seize the microphone during a Kings of Rhythm performance for a rendition of BB King’s You Know I Love You.
She had suffered ill health in recent years, being diagnosed with intestinal cancer in 2016 and having a kidney transplant in 2017.

‘I was just tired of singing and making everybody happy’ … Tina Turner performs at the O2 Arena, London, in 2009. Photograph: Stefan Wermuth/Reuters

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Gerald Castillo, ‘Saved By the Bell’ and ‘General Hospital’ Actor, Dies at 90

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Veteran stage and screen actor Gerald Castillo, who appeared in major TV series including “Saved By the Bell,” “General Hospital,” “Hill Street Blues,” “M*A*S*H” and “Dallas,” died May 4 at his home in Houston. He was 90.

Known for his work as Major Slater on “Saved by the Bell” and Judge Davis Wagner on “General Hospital,” Castillo developed a following for his roles in the two series.

Born in Chicago on Dec. 23, 1932, Gerald studied acting and stage direction at the Goodman Theater. Following his education, he acted on stages all across the nation, performing opposite Sherman Hemsley, Rita Moreno, Jessica Tandy, James Broderick and Jeanne Crain. After performing with Hemsley, “The Jeffersons” star convinced Castillo to pursue a film and TV career in Los Angeles.

Castillo then appeared in several feature films, including “Delta Force II,” “Kinjite,” “Death Wish IV,” “State of Emergency,” “Through Naked Eyes,” and “Above Suspicion.”

Castillo also guest starred in several TV series, including “CSI: Crime Scene Investigation,” “Hill Street Blues,” “M*A*S*H,” “Dallas,” “Knots Landing,” “The Jeffersons,” “Night Court,” “Simon and Simon” and many more.

The screen and stage performer also worked as a stage director at numerous theaters in Los Angeles and Ventura County, including the Santa Paula Theater.

Castillo’s wife of 36 years, Danya Quinn-Castillo noted, “Many of the actors he worked with remember him as a charismatic and insightful director who would jingle the change in his pocket while he pondered a scene, then leap onto the stage to work out the blocking or whisper in an actor’s ear. He was revered for providing the support and guidance that allowed actors to fully develop their characters on stage.”

In 2012 he retired from acting and moved to Houston.

He was predeceased by his only child, daughter, Lisa Palmere.

Castillo is survived by his wife, grandson Brian Palmere, granddaughter Stephanie Palmere, great-grandson Allen Palmere and his twin brother, Bernie Castillo.

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